1968: Don't Just Stand There

Barbara Rhoades as "Kendall Flanagan..."

Proving she can handle any man...

Though she's clearly beaten him, she now picks the hapless chump off the ground...

Steadies him...

And unleashes one of the great FemmeKicks in history...

She's hungry now & wants to eat...

Robert Wagner looks up at her in awe...

Between this & Shakiest Gun, Barbara Rhoades established herself as the premier Glamazon FemmeDom of the late 60s, promising a career-full of roles exploiting her towering physique and commanding demeanor... But having started out at the top, she instead found there was nowhere to go, as no starring roles developed, no further exploration of even more outrageous Glamazonian Dominance, and she weakly followed the tepid path of the 70s Femmes, relegated to supporting roles that barely hinted at what she achieved in 1968... She's not just beating up men, she's thoroughly thrashing with them having no chance against her... It's not just a quick karate chop, kick or flip, as most 60s FemmeFu, these are prolonged encounters where the men keep coming back at her and she triumphantly stands tall and humiliates them... She's convincingly big and athletic - she's not beating men because she's tricky or catching them by surprise, she's beating them because she is Physically Superior -  the Female Physical Dominance is as believable as there is in FilmFemmeDom... And the "star" of the movie, the "hero," Robert Wagner, readily assumes abject deference to her Prowess, relying on her to bail him out of fights he can't win... She becomes the Big DomMommy who saves her baby boy from the bullies, out-bullying any boy...

Archetype(s): Amazon - Heroine

Paraphilia(s): Biastophilia ; Emasculaphilia ; Flesh Fetish: Legs ; Judophilia ; Kickaphilia ; Sadistophilia