1966: Kiss the Girls and Make Them Die

DOROTHY PROVINE


A guard holding a gun on the
beautiful secret agent, Susan Fleming...
Makes the mistake of letting her touch him
with the needle of her knock-out ring...
As he sinks to the floor...
He's left to gaze upon her dominating countenance...
She watches him fall to her feet...
And leaves him flat on the floor...
Susan is about to be deep-freezed, but the technicians make the mistake
of letting her apply some last-minute cosmetics...
From her eye-liner pencil,
she releases knock-out bubbles...
 
And while the men try to figure out what's hitting them...
They pass out onto the floor...


In the mid-60s each Spy Spoof seemed to push absurdity just a little further until the genre became completely detached from its source (James Bond), and developed into a fantasy hybrid that featured FemmeSpies who were much more powerful than any of the decorative "Bond Girls" that are so often highlighted in  popular media. 1960s Bond Girls were largely an ineffectual lot. The good ones were mere eye candy and the bad ones never really got the best of Bond. Susan Fleming not only provides eye candy, but also goes around knocking out men left and right, and it's clearly established she is equal to, if not superior to her male counterpart, the pre-Mannix Mike "Touch" Connors...


Archetype(s): SpyFemme 

Paraphilia(s): Cosmeticophilia ; Narcotophilia 



!WOm!WAm!