Mitzi Gaynor is not a big woman, so her rear-end is a bit incongruous in that from the front she registers as petite, but as soon as she turns around the viewer is blasted by one of the most perfectly formed behinds of all-time... It's almost as if she's dancing around or in spite of her rump, as though it was an attached appendage, and this dance number offers one of the more butt-centric choreographies of 1950s musicals...