Chelo Alonso
WOmWAm Career Perspective
The premier costume-adventure Femmetasm between 1959-1961, defining the Exotic Fantasy Vixen who beguiles, seduces and dominates... Her talent as an erotic dancer was a given, with most of her dances actually advancing the plot to establish her intentions of gaining power over men... Fully embodied Female Lust and the ability to excite male desire, but more than dancing, she absolutely captured the Feminine Essence of a Woman Who Rules through sexuality, displaying the innate confidence she could arouse any man, and once aroused, the man was helpless but to capitulate to her overwhelming beauty... Dangerously Sexy, a Femme Fatale with a streak of vicious ruthlessness  who would assume to kill a man as make love to him... Many of her roles were Matriarchal, affording her character Supreme Queen Female Power, and she carried them all convincingly...

 
Roles of Interest
Sign of the Gladiator
 
The Pirate and the Slave Girl
 
Goliath and the Barbarians
 
Attack of the Moors
 
Terror of the Red Mask
 
Son of Samson

As "Queen Smedes," evil at it's most beautiful... Her most powerful role...
Gastone

Somewhat incongruous to see her in a 20th c. setting...
Maciste (Atlas)  in the Land of the Cyclops

How would you like to have a date with a Woman who says this to her cohorts before she meets you: "Stupid fool - I want to find out everything he knows before I kill him..."? She has her eye on Atlas; Atlas has his eye on the Cyclops; and the Cyclops has his eye on... (just had to go for the one-eyed joke, didn't ya?)
The Queen of the Tartars

You can bet the Queen of the Tartars is saucy... (just had to go for the tartar sauce joke, didn't ya?)
Morgan, the Pirate

(nope, absolutely refuse to go for the rum joke...)
!WOm!WAm!