!WOm!WAm! Paraphilia 
Assassinophilia

!WOm!WAm! DEFINITION  
Sexual Arousal watching a Beautiful Woman murder a defenseless man

The ultimate in sexual reversal where rather than the man going into the WOman to create life, she comes to him as a Seductive Angel Of Death delivering the inevitable end.  While there had been a steady stream of Femme-Assassins through the 1950s, largely in costumers and film noir, the pace of WOmen Killing men remarkably picked up by the mid-60s.  By 1965 producers clearly were trying to outdo each other in depicting ingenious ways a WOman could kill a man, and this flurry of sexy gore somehow made Death not so remote or as scary to a man when brought upon by a Beautiful WOman...

Top FEMMEnomena featuring Assassinophilia
"The Magnificent Bribe" Atlas in the Land of the Cyclops The Tenth Victim 
Deadlier Than The Male Faster Pussycat! Kill! Kill! "How to Succeed... at Murder"
Modesty Blaise "Night of the Poisonous Posey" Some Girls Do

Other roles of interest featuring Assassinophilia
1949 "Who Done It?" 1966 Arrivederci Baby 
1952 Against All Flags 1966 Baraka X-77
1952 Son of Ali Baba 1966 Black Tight Killers
1953 Mesa of Lost Women 1966 "Bridge of Spies"
1954 Princess of the Nile 1966 "The Concrete Overcoat Affair"
1955 "Woman On The Wire" 1966 Death is a WOman
1955 It's Always Fair Weather 1966 "Kiss of Death"
1957 The Dalton Girls 1966 Matchless
1957 The Unholy Wife 1966 Murderer's Row 
1957 Voodoo Woman 1966 Out of Sight
1959 "Freddie and the Spies" 1966 The Silencers
1959 Terror of the Red Mask 1966 So Darling, So Deadly
1960 Danger in the Middle East 1966 Special Mission Lady Chaplin
1960 Son of Samson 1967 Con Licencia Para Matar
1961 The Mongols 1967 Guide For the Married Man
1961 Wonders of Aladdin 1967 "The Night of the Bogus Bandits"
1962 Pecado 1967 Password: Kill Agent Gordon
1963 "An Out for Oscar" 1968 Despedida de Casada
1964 "Controlled Experiment" 1969 100 Rifles
1965 Agent 3S3: Passport to Hell 1969 Astro Zombies
1965 Mission Bloody Mary 1969

 

Cazadores de Espias
1965 "The Murder Market"      

WOmWAm Contributor "Jeff" offers viewpoints on the sexual dynamic of specific weapons WOmen use to kill men...

Longbow - The WOman sights the unwary male she plans to dispatch. The arrow is slowly pulled from her quiver and is quietly loaded onto the bow.  She arches her back and with her out stretched arms draws the bow across her full bosom. The longer and harder she pulls, the greater the increase in sexual tension. The tautness of the bowstring is a parallel to male excitement. The woman takes aim of her victim. The arrow is shot and pierces the man with its fatal energy. He writhes and collapses in death throes that symbolize the climax and then the release of sexual tension. He lies dead with the arrow protruding from his vitals. This reminds the viewer of the sexual reversal and confirms female superiority. The crossbow and spear gun are similar weapons only that there is less “art” in their application.


Sword - The ultimate symbol used to engage the sexual struggle between The WOman and the man. Combat is foreplay building intensity; the viewer is shocked by the unexpected sexual reversal as the woman gains the advantage and slays the man. The viewer experiences greater satisfaction if The WOman delivers her killing stroke with a thrust rather than a slashing or cutting technique. (Thrusts are deadlier as confirmed by ancient Roman army training manuals). Slashing looks good but lacks the sexual parallel of a firm thrust. The deeper and more powerful the thrust, the more intense the climax, thus punctuating the ultimate victory of The FEmale over the male. The execution is especially satisfying if The WOman impales the man for a long moment. He then groans or gasps his last breath before she withdraws the sword. She breathes heavily from the exertion. An attack to the mid section or chest is gratifying and comprehensive in its lethality. Straight, pointed, or medium sized swords like the cutlass, Roman and Spartan types are superior to longer curved types such as the claymore, katana, and saber.


Knife - Similar attributes as the sword, but with the weapon's length bringing The WOman closer to her victim. The near proximity between the victim and the assailant prior to an attack suggests a shared intimacy, but hides a deception. The sexual reversal is more extreme when the unsuspecting man’s expectations flee as he is dispatched by the woman. A telling thrust to the chest, abdomen, or back with a properly scaled metal phallic symbol is especially stimulating.  The natural stealth inherent in the design of the knife can lend to variety of clandestine killings. Indeed, the use of a knife can be very sinister. A WOman will stab a man in the back - a planned assassination. This often takes place behind closed doors in the lair of the Lethal FEmale. There may be some seduction involved with the purpose of lowering the man’s defenses and gaining an advantage. It’s all too easy for a Beautiful WOman to accomplish. As the man’s back is turned, the woman raises her dagger high above her head in a ritualistic gesture of FEmale Superiority. With a powerful downward stroke she plunges the blade deep into the man’s upper back. He is shocked and spasms in a final orgasm of death as he falls to the floor. The viewer’s excitement is heightened by the sudden climax that this kind of attack offers and by the image of the WOman standing dominant over her overmatched quarry.
 

Gun - See Gunaphilia



!WOm!WAm! Paraphilias Index

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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